La animación. entre la impresión de la realidad y la realidad de la impresión

Abstract

The animation from its origins has been adapted to different audiences through different human manifestations. These have given rise to possibilities never before imagined, which make this language an appealing resource to inquire. In this sense, it aims to promote a space for reflection through the discussion of concepts and positions ranging from the genesis of the static image to the evolution of a moving image and its dialectic between the real and the unreal. Hence, it is considered appropriate to promote and provide bases for reflections focused on the definition of the concept of animation